For the West Kowloon
Cultural District in Hong Kong, XML designed a
new Arts Pavilion. By reimagining the classical Miesian pavilion typology of a
glass box and roof, the XML proposal sets out to create a pavilion that offers
two distinct types of exhibition spaces.
Under a large
canopy, a glass-enclosed box offers a 4.5meter high unobstructed space, that
can be adapted to an infinite amount of layouts for the exhibition of painting,
sculpture, video, photography and other media. The northeast corner of this
glass façade can slide open, allowing the exhibition area to be extended
outdoors towards the future M+ Museum.
On the waterfront,
the canopy slopes downward and becomes a public ‘art square’ as a second
exhibition space. This square connects to the water as a welcome
differentiation of the waterfront promenade. From here, the steps onto the roof
create a small amphitheatre offering views to Central and Victoria Harbour,
as well as an elevated platform for exhibiting outdoor art.
In this way, the
pavilion can accommodate art in all its disciplines: whereas the inside space
lends itself primarily to the visual arts, the outside space can also be a
platform for time-based arts such as performance, theatre, music and cinema. The
required secondary program of office, storage and toilets is organized in a
long rectangular core that is located towards the west side of the building.
This volume along
the west façade and the slope of the roof on the south side block direct
sunlight from the gallery, creating good conditions for exhibiting art as well
as significantly reducing the need for cooling. In addition to the glass walls,
a grid of lighting boxes for ambient light is integrated in the roof with
adjacent tracks for LED spots, allowing for maximum flexibility in exhibition
lighting plans.
The large roof of
the pavilion has been designed as an in-situ reinforced concrete slab supported
by a number of irregularly placed components for structural support: the long
wall on the east side of the space that is part of the consolidated box of
secondary program, an L-shaped structural element near the main entrance and a
single large column that includes a Jenny Holzer-inspired LED band of lights, announcing
the pavilions’ program.
Accordingly, through
a minimal and mostly hidden structure, the design offers an unobstructed space
open for experimentation and production. The floor and ceiling finishings have
deliberately been proposed as industrial
inexpensive materials so as to allow curators to drill, paint or nail at will. The
potent yet simple shape together with the wide array of possible configurations
for exhibiting art will give the pavilion prominence in the large new
development of the WKCD.
Here, the
architecture of the pavilion serves art by adding public space to Hong Kong’s urban life and by bringing together different
audiences. Hence, the pavilion – A² – is not only a place for experiencing art,
but also a place that offers a new perspective to contemplate and reflect the
city itself.
Location: Hong Kong, China
Architects: XML
Collaborator: Stefan Al
Local Architect: AGC Design Ltd
Structure, Installations,
Sustainability: Arup
Hong Kong
Cost analysis: Sweett Group
Size: 470 m2 GFA
Client: The West
Kowloon Cultural District Authority (WKCDA)








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