Situated
at the entrance of Misakimizube Koen, one of the picturesque parks fronting a
lake and flanked by Sakura trees, the house was conceived to be an object with
the environment.
The
programmatic zones of Public, Service and Private spatially organised the house
into 3 distinct zones with further punctuation of the main massing with the
Landscape element; providing spaces for the courtyard and roof deck. This base
form was further chiseled with structure, daylight/ventilation and viewpoint
concerns.
65%
of low rise Japanese houses are constructed out of timber, a material that has
the strongest weight to strength ratio amongst other building materials like
concrete and steel. Using timber from a renewable source, coupled with building
technology that utilised a hybrid of traditional mortise and tenon joint system
with steel bracketing, this house was able to push the ubiquitous “boxed”
building envelope for timber residential construction in Japan.
The
solution to push the Public program to the upper level was obvious with the
need to accommodate parking for 3 cars. In addition, this offered an elevated
scenic view of the park by having living/dining/kitchen at the second level.
The extensive 3.2 m
wooden cantilever was unusual with the norm capped at 1.5 m.
The
initial structural concept of using a truss floor progressed to the final
structural solution; using an elegant inspiration from bridge construction and
book shelf bracketing. Further reinforcement of the structure was made in the
courtyard wall to reduce eccentricity of built form and thus lateral movements
during earthquakes. The outer form reflected the inner structure of the
building, creating opportunities for expression of inclined surfaces.
These
further expressed their responses to rainwater drainage and the sublime
reflection of the surrounding landscape. In order to bring views of the
exterior Sakura into the dining space, an asymmetrical window ledge was purposefully
built, providing a material continuity from exterior to interior and framing
the picturesque view.
The
idea of “Reflection” was multifarious and became a series of unfolded meanings;
exterior reflection of surrounding, interior reflection of surroundings,
introspective reflection spaces and reflection of the house structure.
The
landscape falls into three areas, the front yard, the courtyard and the roof
deck. The front yard accommodates parking for three cars and becomes the
entrance frame for the house. The connecting tissue to the park relies on the
structurally evolved facade that visually associates with it and uses similar
ground paving material.
The
courtyard, an intimate private garden forms part of the environmental funnel to
dissipate hot air during summer. This space further anchors the master bedroom,
1-tatami introspective room, and double volume library.
The
roof deck, the pinnacle of the house further heighten one’s sense of place with
its surroundings and provides the perfect viewing platform for both Hanami
(Sakura) and Hanabi (Fireworks) festivals. Hansha Reflection House condenses
the energies on site to formulate a dwelling that looks back at the
surroundings with a slight twist.

Location: Nagoya, Japan
Architects:
Studio SKLIM
Collaborators: Machiko
Nakamura, Federico Mira
Builder:
Sakae Advanced Housing
Technology
Structure:
KES System Headquarters
Shelter
Area:
124 sqm
Year:
2011
Photographs: Jeremy San / Studio SKLIM













No comments:
Post a Comment
What do you think?