The ‘art-track Zeewolde’ is
a seven kilometer route passing through an open-air exhibition of high-quality
sculptural art. This sculpture park flows out into a pond that is surrounded by
green slopes. In this pond the art pavilion The Imagination is located.
Originally the building was
allocated to a spot hidden behind a school and a sports complex. With its final
position in the water, at the end of the art-track, the building becomes the
organisational nerve centre for events, exhibitions and lectures.
The sculpture Sea Level by the American artist Richard Serra has particularly contributed to the art-track’s reputation. The elongated shape of the pavilion stems from Serra’s long black concrete wall.
Originally
the building was allocated to a spot hidden behind a school and a sports
complex. With its final position in the water, at the end of the art-track, the
building becomes the organisational nerve centre for events, exhibitions and
lectures.
The
sculpture Sea Level by the American artist Richard Serra has particularly
contributed to the art-track’s reputation. The elongated shape of the pavilion
stems from Serra’s long black concrete wall.
The
limited budget was the occasion for applying a three-hinged frame to construct
the span. These originally cheap structures are often used in barns and
therefore well-known in the surrounding agricultural polder-landscape.
All
the trusses are identical but they are all at a slightly different angle
compared to the ground surface. The result is an elegantly twisted roofscape.
The same elements that are usually applied for erecting cumbersome storehouses,
now make a wavy wrapping.
This
subtle rotational algorithm also causes a kind of tectonic fault in the ridge,
where the trusses (almost) meet. The arm of one truss is connected to the tip
of the other. The shifted roof surfaces subsequently provide indirect daylight
incidence. The roof is constructed of a profiled steel roof sheet, cladded with
corrugated aluminium on the exterior.
Inside
the steel sheets are partly covered with gypsum plasterboard. Both the interior
materials are partially perforated to ensure appropriate acoustics. The
utilitarian spaces like offices, rest rooms, storage and a little library are
slided into the main volume as two autonomous wooden boxes.
On
the ground floor level a glass strip is applied as a transparent plinth. This
apparently lifts the building of the ground level and contributes to its airy
character. The pavilion is located on a narrow peninsula concluded on both
sides by a steep slope. The ambient view on the water through the glass plinth
evokes a sense of floating.
Location: Zeewolde, Holland
Architects:
René van Zuuk Architects
Structural
Engineer: Van de
Laar
Building
Contractor: Kingma
Bouw
Area:
375 m2
Costs: € 400.000
Year:
2001
Client: Foundation – De Verbeelding – art landscape nature
Photographs: Christian Richters












No comments:
Post a Comment
What do you think?