The building is
located on a hillside in the Dolomites, at the edge of a residential area. The
volume was in part determined by the functional elements required to host six
independent apartments with a common circulation core. A formal incision marks
the main access and the division of the units, splitting the main volume in two
halves.
Apart from its
functional connotations, this incision becomes the defining element of the
building. From either side of the cut, a strip unfolds to form the balustrade
of a generous covered balcony that merges with the surrounding topography.
Following the steep natural hillside with each floor, the strips and the façade
jump back.
The building hosts
six generous holiday homes, all directed to catch the southern sun and the
panoramic view of the Dolomites. Each unit is designed to maximize privacy
through the splitting of the building volume into two parts, and through the
stepped balustrades which block the terrace spaces from views from the unit
above and from passers-by.
Each apartment
enjoys an extension of the internal living area through a covered, sun- and
view-facing terrace which terminates in a small private garden. Local larch wood
defines internal and external living areas. Floor to ceiling glazing allows for
maximum views and solar gain.
External sun
shades and overhangs from the balconies above minimize overheating during the
Summertime. The main circulation–a continuation of the formal incision–is very
compact and repeats the use of the local larch wood and colour code from the
façade.
Sited at the
edge of a residential area with a very eclectic appearance, we generated a
volume which grows out of its surrounding topography and blends into it by
reducing the material palette to a very local, almost vernacular, code: larch
wood and pre-oxidized copper.
Both the copper
and the larch wood are subject to a natural change in colour by the atmospheric
influence of sun, rain and snow. By borrowing from the colour palette of nearby
farmhouses with dark, sunburned larch wood façades, the building blends into
its natural surroundings.
Attention was
given to the design of the copper balustrades which stem from the natural topography,
and wrap around to meet the building at the central incision, peel off again
and end once more in the surrounding topography. When peeling off, the metal
sheets, divided into horizontal strips, describe a curved hyperbolic-paraboloid
geometry. Here, the craftsman's knowledge is showcased to its full extent.
The dark copper
surrounds the volume from all sides. The strips form a second skin, offering
shelter and defining the roof as a continuation of the overall façade and
building volume.
The form of the
roof itself draws on the local planning regulation which allows only a pitched
roof for this specific building plot. Slightly deformed, it merges with our
design concept as well as with the traditional pitched roof typology; not
merely through repetition, but rather by exploring its hidden potential.
Location: Sesto, Italy
Architects:
PLASMA Studio
Project Architects: David Preindl, Ulla Hell
Design Team: Nicoletta
Gerevini, Peter Pichler, Daniela Walder, Maya Shopova
Structural
Engineering: Dr. Ing.
Erlacher Andreas
Services
Engineering: Georg Mutschlechner
Fire
Safety: Technisches
Büro Jud
Services:
Technisches Büro Jud
Security
Management: Ralf
Pellegrini
Geological
Engineering: Sulzenbacher
Ursula
Construction:
Tschurtschenthaler Werner
GmbH
Area:
1,050 sqm
Year:
2012
Client: Alpenblick srl












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