The geometric
complexity of the architectural formalisation of this project for a municipal
library takes up a clear position in terms of urban sensibility, in a search
for a maximum of interaction between the building and the public space.
The place that
was set to accommodate the extension and the whole environs of Can Baró
conserved, before the intervention, the charm of an area in which diversity and
a certain lack of structure made a forceful, logical and meditated response
necessary.
The expansion
thus emerged from the topography, as a continuity of it, seeking a fusion
between the building and the public space, in such a way that the public space
is not treated as something that appears between buildings but is integrated
into the architecture itself, and the architectural space is something that can
be found hidden or camouflaged within the topography.
The building
responds to the surrounding environment, with a set of starting conditioning
factors: the existing building and a great irregular void of complex geometry
and with considerable topographical unevenness.
The new
building, in its apparent formal complexity, can be defined as a piece made to
the measure of the place, built or modelled with that which cannot be touched
but instead perceived: light-shadow, empty-full, open-closed, warm-cold… The
reform of Can Baró has been tackled in an integral manner, only conserving the
façade enclosures.
By taking
advantage of the powerful unevenness, the library shows itself as a continuity
of the topography of the place; part of the roof is transformed into a
horizontal carpet as an extension of the pavement space of the upper street,
which is constituted into a public square.
This square,
which climbs the slope in a search for the best vistas, culminates at the
highest point in an exceptional vantage point. From this point on, the building
is not understood as a building but as the actual terrain that descends and is
modelled to end up transformed into a space that houses the library programme.
The roofs begin
to break up, turning into the topography that descends in a search for dialogue
and relations with the neighbouring constructions. The play of roofs that rise,
descend or break up is the mechanism that simultaneously allows the interior
spaces to gain height and at the same time to filter and capture the natural
light to illuminate the interior spaces.
Inside, the
double spaces end up taking light to the spaces nearest the bottom. As for the
skin, for the ground floor a glazed enclosure has been chosen in order to give
transparency to and announce what takes place inside, like in a show window.
Further up the spaces only open up in very specific and controlled points,
selectively seeking out the best views, permitting more secluded spaces that
are suitable for reading, preserving both its own privacy and that of the
surrounding buildings.
Inside
everything is articulated into sequences and spaces that change constantly in a
simultaneous play of open-plan spaces, double spaces, highly controlled vistas
and multiple inlets of light through the roof lights.
Location: Corbera de Llobregat, Barcelona,
Spain
Architects:
Sierra Rozas Arquitectes
Design
Team: Antonio
Sierra, Ana Belén Rozas
Structure:
Manuel Arguijo
Installations:
Lluis Duart
Area:
1,542.60 sqm
Year:
2009
Promotor: Ayuntamiento
de Corbera de Llobregat
Photographs: Jordi Bernadó
Source: ondiseno












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