A
mural is a painting done directly on the wall. It comes from the Latin word
murus, which means wall. Murals often show the concerns, hopes, values and
memories of the community where the murals are painted.
Murals
are not like other paintings. They have a different purpose, a different kind
of effect on the lives of those who see them. They are public art in the best
sense, because they are actually created in public, with the community looking
on.
Good
public art says something about the community. It says, this is who we are or,
this is what we think, this is where we came from, this is what we want. And it
says these things in a way that everybody can understand and enjoy.
Murals
can be inside a building or outside, in this last case they decorate a degraded
or an insgnificant part of the city. 3D murals are those that “Deceive the
eye”, in French trompe l’oeil, with a painting technique that, through the
perspective and play of colour, create a virtual reality.
Eric Grohe
was born in New York City
in 1944. He moved to the West Coast when he was young, and currently lives just
north of Seattle, Washington. In 1973, he was asked to design
graphics for Expo’74 in Spokane,
Washington.
At
this time, he began receiving commissions for his artwork, which have continued
to grow in scope and size, leading to today’s large-scale trompe l’oeil murals.
Eric
Grohe Murals Working in cooperation with architects, designers, art commissions
and community representatives, Eric Grohe creates mural art that transforms the
environment and communities as well. He believes that his art should involve,
challenge and inspire the viewer; not simply adorn, but integrate with its
architectural surroundings.
John
Pugh born and raised in Denver, CO, graduated with scholastic honors in 1975
from East High School with a Prestigious Portfolio award from New York and six
Gold Key Awards under the guidance of art teacher Joyce Redwillow, who would
make a lasting impression on John's artistic endeavors. John's enthusiasm for
fine arts would lead him into many mediums throughout the years to come...
“It seems almost universal
that people take delight in being visually tricked. Once captivated by the
illusion, the viewer is lured to cross an artistic threshold and thus seduced
into exploring the concept of the piece. I have also found that by creating
architectural illusion that integrates with the existing environment both
optically and aesthetically, the art transcends the "separateness"
that public art sometimes produces.”
“When developing a mural, I
also respond to aspects of the location such as its architectural style or the
natural surroundings. Often, I like to play with the art's context by
contrasting these environments with another place and/or time. This paradox or
juxtaposition of environments transports the viewer on a journey from local
reality into a new space. During this "voyage", the viewer may
experience sequential discoveries as my compositions are designed to unfold in
narrative layers.”
Martin Ron was born in Argentine, named “El Mago” (The
Magician), si dedica alla pittura murales con tecniche creative che
interagiscono con la città di modi diversi. “Ogni muro che vedo è una tela
gigante, poi vado allo studio e dargli un po' di forma, e quando dipingo, io lo
abbraccio.
It’s very interesting
because the difference between the finished work and the one that I was
thinking of, end up being things really different” Martin Ron completed a
stunning new mural at Meeting of Styles 2012, the title of the mural is ‘Pedro
Luján and his Dog’.
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